Event Videographer Malaysia

Event Videography Malaysia:

Malaysia, a globally preferred location for events. Modern, well-planned infrastructure, ease of travel and commuting and Malaysias friendly, warm and hospitable people make Malaysia a top destination to host corporate events and trade fairs. Unleash your full marketing potential with high quality event videography and event photographer services.

Planning a great event is taxing. It’s like putting a symphony together in a matter of days or weeks. What is the need for Professional “Event videography Malaysia? “

Social and video streaming has become an obvious medium of any brand marketing strategy. Documenting the event videography and event photography has become a crucial element of the event package.

Capturing the Event Videography is an integral part of the event for the following reasons:

1. Increase your influence and reach.

With Event videography Malaysia, You can interact and reach out to a larger audience, outside of your immediate event circles. Your video marketing strategy will include promo videos, event videos, event photography, and digital marketing.

2. Marketing content for future events.

Creating media assets with event videography and “Event photography Malaysia”.

How many times have you wished you had captured a corporate moment in high quality so that it could be shared with PR and marketing? Here is where “Event videography Malaysia” comes in.

Documenting your event videography and event photography is extremely valuable. This helps you develop a repository of corporate-owned stock footage and memories that are valuable media assets. Your event footage is used for your internal marketing and communications. Event videos help you promote your future events and sales.

3. Testimonials to increase Credibility.

Hosting a benchmark event for a corporate or brand takes a lot of effort and budget. It’s about crafting a theme considering your branding guidelines. Seamlessly stitching the theme into the event timeline story helps your audience relate to your brand. This ensures that delegates will leave with a positive opinion of your event and brand.

This testimonial event videography is a very useful marketing tool. After event testimonial footage is extremely useful. The videos can be used and presented to your corporate leadership, investors and your customers in the future.

Capturing short video bites and testimonials.

Interviews of VVIPs and industry experts.

End-user client and customer testimonials are priceless.

Having a CEO, minister or social influencer talk positively about your corporate and brand helps viewers to see your event as a credible and trustworthy experience.

The testimonial interview and event video footage becomes a crucial asset to your video marketing strategy.

Are you looking to commission your event videography work to an event Videographer in Malaysia?

What are the credentials you must look out for in an “Event videographer Malaysia”?

Documenting events is extremely important. Let’s get a little technical now! If you have been part of an organising committee for a corporate event, a sales expo or a trade fair, you would have come across some technical deliverables. There are required minimum specifications to be expected from the Event Videographer in Malaysia. This is so that the footage is usable for the marketing team.

High-quality format, video dimensions, and codecs:

Shooting an event video in 4k isn’t always necessary. But its good to have for future archives.

HD video (1920×1080 pixels) is the bare minimum.

You may have heard some people say, “I only need a video for social media?” Or a “handheld DSLR/ smartphone video is sufficient?” or “Don’t smartphones shoot in 4k?”.

So why do we shoot event videos on stable tripods, rigs, in broadcast high-quality bitrate formats and more?

Video Formats and making your footage future proof:

Working with a high-quality video format helps the editing and colour grading process. The format is less compressed so it works a lot faster and requires less processing power. This means faster editing and better-looking sharper, crisper video. That is why we use broadcast quality and documentary cinema cameras for the main video. This event video footage is qualified for television, large LED walls and cinema, web ads.

When we have a high-quality format like an MOV, AVI, MTS or a less compressed MP4, the file sizes are a bit larger. However, each pixel also stores a lot more data. This is useful for colour grading, to match different cameras and to give the footage a cinematic look. This is because the footage does not break when you change the exposure and colours during the edit.

Compressed video formats from DSLRs and Smartphones.

Compressed formats from DSLRs and smartphones are not really sharp, they seem to be sharp only at the outlines and blurry on the skin and other solid objects. They rely on digital sharpening rather than good quality sensors and lenses. The raw footage from these cameras is full of small dots. It’s only with the sharpening and blurring that you get a somewhat useable video. This gives for a soft hazy look that seems very digital. It is not sharp enough for television or large screen LEDs.

Many times the settings to relay video on an external screen or projection live streaming have to be different from the format and settings for saving the video on the memory card. The footage saved on the card can be of higher resolution and bit rate. Experienced event videographers select the right formats and specifications based on the requirements.

What is the most neglected aspect of amateur event videographers in Malaysia?

Audio is a huge dimension that is popularly neglected by amateur videographers and freelance videographers on Kuala Lumpur. Using DSLR cameras, mirrorless cameras, bridge cameras, Camcorders, smartphone cameras in event video productions is like taking an SUV to move a house instead of a truck. These cameras don’t have the required XLR input ports to capture clear audio from the sound console. While recording audio we want to get clear audio of the speakers and emcees. We also want to get audio of the audience cheering, applauds asking questions and more. This is what breathes life into a video. This how a viewer watching your event video production can experience and imagine being at your event through video.

Neglecting audio is the number one amateur event videographer mistake. Lots of times when we see showreels, samples and snippets of event videographers work in Malaysia, we don’t check for audio recording, there is usually some high energy music playing he background of their sample videos. This is the number one mistake a corporate event manager can make while shortlisting an event videographer company in Malaysia.

Value for your “Event videography price Malaysia”.

When you spend so much money on an event, it’s best to get the most value out of the event video too. This helps you to document and use this footage for broadcast and PR purposes when the opportunity arises. Any audience has a short term memory of experiencing an event. Your events’ fantastic experience can be recreated and relished for years to come. You can recreate the imagination and experience of the event in viewers from all over the world. Even if they weren’t able to attend your event. A good event videography production will help you multiply in your sales and marketing objectives. Sending out copies of the post-event edit snippets to prospective clients reminds them about their relationship and experience they had with your brand and event.

Professional and broadcast-quality event production equipment: It’s challenging to get a lot of usable footage from handheld DSLRs/ mirrorless and smartphone cameras.lots of times the footage goes in and out of focus. This because events usually happen in low light and are collaborating with bright and contrasting LED screens in the background. This makes it hard to shoot on amateur equipment or for an inexperienced event videographer.

Your event videographer has to be very experienced in covering corporate and retail events. The camera focus and exposure are continuously adjusted in a manual mode so that the faces of the talent on stage are not bleached out due to the bright lights from the spotlights above. Or the exposure isn’t set to the backlight from the powerful LED screen making silhouettes of your talent on stage. The faces of the speakers have to be in focus even if they are walking across the stage or among the audience. This is why we don’t engage inexperienced event freelance videographers on our productions.

Event Videographer Setup.

We have a dedicated setup of 3 to 6 experienced local event videographers. Our cameras, tripods and event videographer are placed on a riser at key positions to capture the entire event seamlessly. Directing and organising the event videographers is an important part of the setup. This is how we can tell a complete event story. None of your important shots are ever missed out. We are always recording from multiple angles. We want to make sure that the different event videographers are capturing different angles simultaneously. They must not be overlapping each other or coming in between the field of view of other event videographers. The event photographers are also briefed well. We ensure that they don’t block the event videographer. It’s a lot about teamwork, like synchronised swimming.

Event Video Audio Visuals and video editing.

When we have an event planned. We usually need to create excitement and promote the event as well. And during the event, we might need to play multiple audio visuals and slideshows to interact and communicate better with the audience. Finally, there is also a post-event video, that requires a multicamera edit from the event Videography footage.

Your event videos need to be professionally edited to give the best experience. Typically, all of your low-quality shots are edited out. The best footage is edited in the timeline to showcase the highlights and power angles of your speakers on stage. The footage of your speaker interacting with the audience is captured from a side view. The audience’s reactions to the events show how well the interaction was accepted. This is how your viewers are beautifully taken through your event videography journey.

An event video structure usually is about establishing your location through aerial videography. Next, introducing your main speakers, talents, stakeholders and entertainers. And finally, testimonials and interviews from the VIPs and audience to reinforce their positive experience of your event.

Event Videography Services:

We provide the following post-production and video editing services for events:

Animated intro and logo videos. Stealomatic and motivational videos from the movie, stock footage, and voice-overs.

Powerpoint presentations and animations. Marketing videos and corporate videos.

2D Animated explainer Videos.

Multiple short and long Event video multi-camera editing, animated logos, motion graphics text and audio synchronisation.

The videos will need to be published in different sizes, dimensions and specifications for PR and social media.

Event videographer Malaysia Price:

A lot of work, equipment and manpower goes into an event videography. Typically the “event videographer Malaysia price” is a customised price according to the budget and deliverables of the client.

Event videography rates Malaysia

A small event capture with a single camera photography, event videography, and video editing starts at RM 1,000.

A medium budget “event videographer Malaysia price” is about RM 5,000. This is for 2 to 3 videographers and photographers and video editing with animations.

A larger event with aerial videography drones, animations, 3 to 6 videographers and photographers are RM 12,000 and above.

The “event videography rates in Malaysia” will vary according to the duration of the event, location, and number of event videographers and photographers required. The video editing and post-processing deliverables will also contribute to the costs.

Please feel free to use our contact page to connect with us for “Event Videographers Malaysia price” and rates.

We will need to understand the following to provide a competitive costing:
Date, timings and location of the event?
Number of guests/ acts and rough schedule?
Number of videos/ photos and the duration of each video that you require?

We will be able to get back to you with a competitive costing for professional quality event videography in Malaysia.

Please feel free to comment on this article or share your feedback regarding “Event videography Malaysia”.

What type of camera is best for corporate video?

While I was shooting time-lapse video in the city of Kuala Lumpur, Malaysia, I received a message from a friend asking “what is the best corporate video camera?”.

My money is on the new Blackmagic Pocket Cinema Camera 4K. The features that seal the deal for me are the cinematic footage, mini XLR input, max ISO of 25600 for low light, timelapse mode, dual card recording, and improved battery life. In this article, I’ll tell you why I think this camera is best for corporate videos and what features are most imperative for producing corporate videos.

As a corporate filmmaker, it is difficult and overwhelming to be up to date on all the corporate video cameras that enter the market every single day. Moreover, with the influx of YouTube videos and reviews, it can be even more confusing and misleading for cinematographers. This happens to the best of us.

What are Corporate Videos?

Corporate videos are videos that are commissioned by corporate companies. They are usually non-advertisement videos. They are created to communicate information from the management to their audience. The audience could be their employees, investors, customers or clients. Anyone they want to talk to. Corporate videos are a lot like documentaries but they differ in one aspect. Corporate videos, unlike documentaries, have a stronger marketing agenda. Corporate videos usually do not have a neutral narrative like a news piece or video journalism.

What are different types of Corporate Video Shoots?

In this article when we talk about corporate video shoots, we are considering live action corporate videos. Of course, corporate videos require animation and graphics in post-production, but for the context of this article, we are focused on cameras, we will be considering live-action footage recorded on corporate video cameras.
There are different types of corporate videos. The videos depend on the type of production, narrative, and the corporate communication goal.

Let’s break them down into the most common types of Corporate Video Productions: The corporate marketing videos, explainer videos, and training video.

When it comes to corporate videos, especially, videos meant for marketing or training, the narrative and production is similar. Typically, there is a location, product, service or skilled resource team that needs to be featured in the video. The management sells these features to their target audience through the corporate video. When it comes to explainer videos or training videos, the videos focus a little more on understanding the product or service features better. The narrative is told from the perspective of the end user.

The videos might include shots of the location, service, or a product. The corporate video might include interviews from industry experts or leadership and employees. This footage is generally divided into two categories: First is the interviews and the second is the b-roll. The b-roll is the supporting footage that confirms what the interviewee is saying. For example, if the HR personal says “We have an excellent HR department” during the interview, the b-roll footage might be a shot showcasing some of the HR employees working with smiling faces.

Technical specifications for corporate video cameras.

Especially, when it comes to crafting corporate videos for marketing and training purposes we want to focus on the following technical specifications.

Dynamic range and codecs.

What is “dynamic range”?

Dynamic range in a camera is the range or difference between the darkest and the lightest tones in the footage. Larger the number, better the dynamic range. Sometimes, the sky looks completely white and pale coloured in a scene. During colour grading in post-production, we decrease the exposure in the highlights to bring some blues in. If the dynamic range of the camera is not that great or the codec sucks, you will start to see banding in the highlights, details in that colour range are lost. You will notice bands of different coloured blues in the skies.

The footage starts to break when you try to grade the colours. In other words, when the footage is of good quality, the footage is easy to colour grade. This makes it easy to match different scenes. You see more detail in the footage. This is important because during a corporate film you might be shooting outdoors and indoors with different lighting. Video codecs or formats are also key. Having a good codec with a high bitrate means that you will have more information in each pixel on your video footage. The result is better quality video. Most of the latest smartphones shoot in 4K, but if you look at the footage you might notice that there’s something a little off with it. It doesn’t look cinematic like a movie. The picture isn’t sharp and detailed in some areas. Same with webcams. This is because the footage to start with is quite bad and the in-camera software sharpens the footage and softens skin tones to make it more usable.

In-camera Audio.

Audio is the next most important feature of the corporate video camera. Good audio quality can make a huge difference in your overall production of a corporate video. High quality audio contributes to the corporate video production being perceived as world class. Having XLR input or 3 pin audio input is imperative for good audio. The third pin provides a ground and protects the signal from noise. Having this feature built into your camera saves a lot of time during production. It also brings down costs. You don’t need an additional resource to manage the sound engineering on set. if you do not record audio directly into your video camera, you will need to record the audio separately on an audio recording device. The audio from the record device is then synchronised to the sound to the camera in post-production. That does seem like a lot of extra work and it sure is.

Form factor and camera size.

When shooting a corporate video, many a time, the shoot could be in a small space. Like a small meeting room, a small photocopy room or even a server room without much space to work around the servers. Having a camera that takes less space is advantages in these situations. Since most corporate locations are not designed like TV at, planting lights, stands and tripods become a challenge for some scenes. Also, some shots require the camera to be stabilised on a gimbal. Having a lighter camera is easy to balance on a gimbal and do shots while walking or tracking movements.

Timelapse and hyper-lapse mode.

Although time lapse and hyper-lapse shots seem to be a trend in corporate videos. These shots also have a narrative meaning. It’s a great way to express a fast-paced world, time running by and the sheer movement of people and information. Having a camera that has functions to record time lapses and hyper lapses help nail these shots.

Corporate video cameras for event videos.

Corporate event videos also have a narrative. But the focus is more on the chronology of events and sequence of what happens for the day or evening. The aim here is to not miss anything great. The camera should be able to record footage for long durations, continuously, so that no part of the event is missed. When it comes to corporate event videos, we want to shortlist a corporate video camera that has a good battery life and can record video on SD cards that are inexpensive. Next, if the corporate video camera is able to record footage on multiple cards continuously, life does get a lot easier.

Web conferences, streaming videos, and live videos.

When quality is not a priority, a webcam or even a smartphone can get this job done. for a more professional set up, however, a corporate event video camera can be used to capture the footage and streamed through a live mixer. It’s imperative for the corporate video camera to have the needed input and output sockets for audio and video.

Which corporate video camera is best for each type of corporate video shoot?

It’s not always about which camera, but it also depends on the professional and experience of the cinematographer using the camera. Which camera is the cinematographer most comfortable or familiar with? How is the camera’s ergonomics?

What corporate video cameras do professionals use?

The Sony PMW 300 is a good corporate video camera. It’s a successor to the popular Sony EX3 which had been my goto standard for documentary and television productions. The PMW 300 has all the necessary bells and whistles. It shoots in 4K and has a 10-bit output. the only downside is the small half inch sensor. Getting shots with shallow depth of field could be a challenge. But most experienced cinematographers don’t rely on this feature. The usually capture shallow depth of field by shooting from a distance and zooming in. This corporate video camera is great for shooting events, interviews and b-roll shorts for corporate videos. The Panasonic alternative is the Panasonic DVX 200.

Slow motion corporate video cameras.

Slow motion shots look cinematic. They’re really cool shots to introduce a team or show a character walking into a scene. If you’re looking at slow motion and using a high-speed camera, you could consider the Sony FS5 or Sony FS7. They come in at a much higher price point though and might not be feasible for the average corporate video package.

Black Magic Pocket Cinema Camera 4K.

Most corporate videos, however are edited down to a duration of 2 to 3 minutes. in this scenario, the Blackmagic Pocket Cinema camera has placed itself at the pinnacle. Why? The footage looks cinematic. It’s out of this world. Corporates are now making movies. With 4k, awesome dynamic range, raw format, and mini XLR input, the camera is a beast. Not to mention slow motion at full HD resolution and a time-lapse mode.

Canon c300 had hit a sweet spot for years but it doesn’t match the new 4K BMPCC. The Canon cameras are dated and their equivalent successors are at least three to four times more expensive.

Should I shoot corporate video in 4K?

For most use cases 4k video resolution is unnecessary. 4K is overkill for corporate videos.

If you were wondering, what is 4K resolution?

4K resolution is the horizontal resolution of video in pixels that is close to 4000 pixels. But the term 4K comes from four times the full HD resolution or it could be twice the line resolution. the resolution of the 4k video is 3840 x 2160 pixels or 4096 x 2160 pixels.

There are a ton of cameras including your smartphone camera that offers 4K resolution. Why invest in the bulky expensive corporate video cameras then? You get what you pay for. Don’t fall for the fake marketing. With commercial phones and cameras in the market, consumers are misled. Most of the smartphone camera ads and promises make me laugh. The fancy marketing is never really true. The footage on smartphones and point and shoot camera are upscaled from a lower resolution to fit 4K. These cheaper cameras have tiny sensors. You could imagine the size of the sensor on your smartphone, just by looking at the size of your smrtphone lens. The camera sensor is going to be a lot smaller. The smaller camera sensors gather less light and fewer details compared to larger ones. This means less digital information per pixel. The inbuilt software of the camera processes the footage and digitally enhances the signals to make the video look presentable. This is why you might notice that DSLR and smartphone camera footage look a little murky compared to broadcast and cinema cameras. The cheaper cameras have sharp edges but go soft on the skin tones. There is not much detail in the footage. The dynamic range sucks. This makes it very difficult to colour grade the footage. It’s also difficult to match the colours of footage from different scenes, cameras, and lighting.

What are the disadvantages of shooting in 4k?

Obviously, shooting in 4K resolution is going to take more time and more storage space. The workflow is more expensive. For an end user, which are corporates, most corporate systems and laptops can’t play back 4K videos. Their company streaming platform content is also consumed at lower resolutions and bandwidths.

There are some advantages of using 4K. Shooting at a high resolution is great for cropping in and adjusting frame in post-production. the other use for 4K is that you could use one camera to record a corporate event video. In post-production, the editor could zoom in and make it another camera view of you when you downscale the footage to HD. For example, you could use a wide shot and crop it in to get a closeup because the 4k footage will have that detail. Another use for 4K would be if you are planning an advertisement, like a recruitment commercial. When you want to create a corporate video advertisement and if the video is to be published on large LED screens at an event or in a local cinema, having the large 4K format would meet local cinema standards and specifications. For most scenarios in corporate video productions, you do not need 4K.

4K cameras are more expensive and it is also more expensive to edit 4K footage since you need faster computers.

Should I shoot in camera raw or prores 422 videos?

The short answer, not really. Unless you are shooting a documentary production that has a requirement of a 422 raw specification, you don’t have to be bothered about this uncompressed format for corporate videos. There are times when you might want to shoot in raw. Say you’re shooting outdoors and in difficult lighting conditions. You could take advantage of the raw format to colour grade your footage in post. The extra information in the highlights and shadows can help decrease exposures in the bright areas and brighten up the underexposed areas to make your footage more usable. I find this highly useful while shooting footage outdoors or in natural light.

What’s so great about the Blackmagic Pocket Cinema Camera 4K for Corporate video production?

When it comes to corporate video productions and you are cherry picking a corporate video camera, we have to consider multiple factors carefully. Sadly, there isn’t one camera that gives you everything. It’s always a compromise. For me, the Blackmagic pocket cinema camera has the best of all worlds. it checks most of the boxes for corporate video productions. The most important feature for me is that cinematic look. The camera sports footage that could be compared to a RED or an ARRI camera. While making a corporate video cinematic looking footage in your corporate video message would set you apart from other low budget videos. You know the ones that are shot on DSLR. The films that are shaky (like the Blair witch project), underexposed, and look cheap and digital. Having cinematic looking footage gives a rich film feel to the entire production. As a corporate video filmmaker my aim is to get more cinematic and world class on every video production. The video on the BMPCC doesn’t look cheap. No sir, it looks cinematic and is movie quality. Having the MFT lens mount along with the metabones adaptor, gives an additional stop of light and can be used with different canon lenses. There are problems with vignetting. I must add but when you shoot in 4k the edges could be cropped out. This makes the camera body very versatile as a corporate video camera. It gives you more out of an ordinary lens. The autofocus and push to focus speeds are not bad by any standards. The camera supports lowlight and high speed recording. And now, having the mini XLR input for audio completes the circle. Audio is taken care of as well. this camera is packing a lot. A lot more than most cinematographers can bargain for.

Which corporate video camera do you recommend? What do you think about shooting in 4k? Do you have any questions regarding corporate video productions?

Let me know in the comments below.

About

About Web Interactive Films – The Corporate Video Production Company in Malaysia.

Web Interactive films is a Corporate video production company in Malaysia. We produce worldclass corporate videos for Malaysia and South East Asia.

Web Interactive Films was founded in 2009. We also have regular productions in the UK, US, India, Malaysia, and Singapore.

Our Corporate Video Services also include:
Corporate films
Web commercials
Event video
Photography
Animated explainer videos in Malaysia
Website design and app development
UI/ UX design
Influencer Marketing
Advertising and video marketing strategy

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Corporate Video Productions need to be crafted with great care. There are many ways to tell a story. Sometimes, it’s a short message from the CEO. However, every story, even a talking-head video has a very important message and deserves all the attention and care so that it may be impactful.

The video production budget is determined by:
1. How your story is crafted?
2. What effort needs to go into producing a story?

An effective corporate video storyboard will engage your audience and viewers. We craft stories that are relatable to your local and international customers. The goal is to grow a positive memorable relationship through video. This encourages your audience to watch, consume and think about what you have to say? Your audience should always remember a positive experience from your message.


Corporate Video Price Malaysia?

Different video marketing strategies require different types of video productions. The first step to a video marketing plan is to budget for your video production. If you are creating a simple post for social media, you don’t need to spend much. A corporate video for an international trade fair would require a good budget. Here are some video production price slabs for Malaysia:

Budget Video Production
RM 2,000 to RM 6,000.

World-class Video Production
RM 8,000 to RM 18,000.

High budget Video Production
RM 45,000 upwards.

Determining the Video production costs Malaysia:

The video production costs are cumulated by planning the following:

  • The number of days of video production shoots.
  • The number of cameras, equipment, actors, locations, crew.
  • Post-production requirements: editing, motion graphics, animations, voice over, background score production.

We want to use the best approach to do justice to tell your story. Meanwhile, we have to plan the production costs so that they are within your budget.

How do I get “more” value?

Want to cut costs on video production?

“I don’t have a budget to spend too much!”

How do we pass on the long term benefits of working with our crew and partners with clients? We use state of the latest art high-quality movie equipment. When we regularly work on projects, we save equipment costs, and we get discounts from our vendors. We pass on these benefits to save your money on your production.

Our experienced marketing people, storytellers, and production crew will ensure that you see value through multiplied sales and engagement. Your video should not only pay for itself but with the right strategy, we can ensure increased business as well. Our crew is highly experienced, so we don’t waste time or lose quality in our productions.

As a result, you get a much better production quality video at affordable prices. Your videos will look world-class and better than the competition. As a result, your audience will grow a positive outlook and an affinity towards your brand.

Our scripts and storyboards are crafted by top industry writers for top viral videos in Malaysia. We craft captivating stories that are tailor-made specifically for your target audience.
1. This helps increase attention spans.
2. You connect with your audience on an emotional level.
3. You fulfill your marketing and communication agenda requirements.
4. This results in multiplied engagement and business.

Video production is not just about documenting life and dialogue. When you’re producing a video for your business you also want to consider:

“How will my audience consume my video?”

This one simple question can make a massive night and day difference in how you approach your entire video production strategy.

  1. You have the ability to turn around the audience’s perception of your brand and offered services.
  2. Increase opportunities to multiply business in terms of investments, sales, and social shares.
  3. Retain your audience’s attention for longer, increasing metrics like dwell time and attention span.

How do we make effective video productions for a business that lasts three minutes or less?

  1. Listen to your audience!
  2. Craft characters that are memorable and relatable.
  3. Take your audience on a fantastic journey with awe-inspiring and motivating characters.
  4. Showcase the struggles and challenges, show people how human and emotionally touching your brand is.
  5. Leave your audience with a motivating “nothing is impossible” message.
  6. Always have a call to action to let them know what to do next.

At Web Interactive Films, we always believe in developing long term relationships with our clients, vendors, talents, and crew. This has been a successful strategy for all our business relations.

At Web Interactive Films, Our vision is to provide a positive experience to everyone who works with us. People love our work and tell their friends.

All of us want to connect with like-minded people. We want to craft films that are intuitive and original so that we can reach out to people and expand our circles.

You know your business best! Better than anyone else.
You understand your customers, partners, clients, and audience.

Web Interactive Films comes in and marries your ideas with sound video marketing strategy, professional storytelling, and video production, together. This is how, together, we make videos that work.

1. The video connects emotionally.
2. It creates a positive emotion in the viewers’ minds.
3. You start to see an increase in sales and business.
4. You share your success story with your friends.

Creating your very own movies for business is a magical experience. This is the most awesome feeling about the industry. We don’t want to lose that magic and excitement. Together, we’re making our very own movies.